Treatise on Nyaya and Vaiśeṣika philosophy.

Aesthetics originated in ancient India as a descriptive account of the drama which was meant for both entertainment and education of the mass. If the drama was a mass medium, aesthetics — its account — represented the mass culture. Philosophical thinking, rigorous ethical practices and the dramatic art had a common aim — experience of the Reality as a whole. The difference was that while the first two were accessible to only a few elite or intellectuals, the third one was (...) meant for all. The mass was experiencing the representation of Reality in the drama by a dehghtful emotional response. The sensibihty necessary for such response was technically called "like-heartedness" which was also a necessary qualification for a healthy social life. (shrink)

Rasa, Dhvani and Rasa-Dhvani are the major critical terms in Sanskrit poetics that developed during the post-Vedic classical period. Rasa is used by a sage named Bharata to denote the aesthetic experience of a theatrical audience. But Anandavardhana and Abhinavagupta intermedialize this experience by extending it to a reader of poetry. They argue that rasa is also generated by a linguistic potency called dhvani. Some critics like Bhoja also proposed generation of rasa by pictorial art, and further, some modern critics (...) propose to trace dhvani property in non-verbal arts such as dance and music pleading thereby that these non-verbal arts also generate rasa. The present essay examines these arguments and concludes that generation of rasa is confined to only the audio-visual and verbal arts such as the theatre and poetry, and, dhvani as a specific linguistic potency, is strictly confined to the verbal arts. Its intermedialization is a contradiction in terms. (shrink)

Focuses on the multidisciplinary and cross-cultural perspectives of the concept of experience, and evaluates its cultural value as it is used in science, ...

The author has made a detailed study, more detailed, he rightly claims, than hitherto attempted, of the concept of mimesis in aesthetic thought and has devoted equal space to Greek and Sanskrit writers... Wilamowitz, the doyen of modern classical scholars, describes mimesis as a 'fatal word' 'rapped out' by Plato. But the present author has demonstrated with great cogency that the word was not 'rapped out' by Plato at all, and that the concept and the word are both as old (...) as Greek thought. He shows too, once again with considerable scholarship and perceptiveness, how Greek art was bound to be sensuous, unmystical and also 'formal' in the best sense of the term. In the four long chapters of the first part of his thesis the author gives at every step evidence of deep study and illuminating insight, and can claim originality both in approach and argument... The chapter on Aristotle contains one of the best discussions of mimesis I have read... the most striking portion of his thesis is his elucidation of poetic truth according to Aristotle. -/- -- Prof. S. C. Sengupta, Jadavpur University -/- The author provides a faithful rendering of both Greek and Indian ideas. The work is valuable for its expositions especially of the Indian theories of art. -/- -- V. K. Chari, Journal of Aesthetics and Art Criticism (JAAC), USA, Spring 1979 -/- ... A fairly exhaustive comparative study of the concept of mimesis in Greek and Indian aesthetics... wide ranging and at the same time well controlled acquaintance with this proliferating literature is revealed throughout... the co-relation of the Aristotelian linking-up of 'imitation' and 'completion' with Abhinavagupta's integration of imitation with completion is very suggestive and is a help towards the formulation of a universal aesthetic comprising body and soul, the immediate impact of Appearance and the slow revelation of Reality... (the author) has mastered the material and achieved a steady progression in argument so as to sustain the central thesis. -/- -- K. R. S. Iyengar, Professor of English and Vice-Chancellor, Andhra University -/- The book is a significant contribution towards understanding the essentials of Indian aesthetics apropos the Greek (and, through the Greek, the Western)... The author has surveyed the entire field in a masterly manner. His erudition and judgement are both commendable. -/- -- S. K. Ramachandra Rao, Deccan Herald (03.09.1978) -/- ...The author's views hold good even among modern critics including the ones known as 'the Chicago school' and experimental psychologists. -/- -- Indian and Foreign Review (August 1978) -/- The work is a valuable addition to the literature on aesthetics. -/- -- The Indian Express (12.03.1978) -/- The comparison is too smooth and sharply compartmentalized... The book is of great value to those who are interested in the comparative and historical evolution of a very important concept in aesthetics. -/- -- The Hindustan Times (31.12.1978) -/- The work is in two parts. The first part in four chapters examines the concept of imitation in Greek thought, and the second in three chapters explores the meaning of the term in Indian thought... the author offers a brilliant interpretation of Aristotle's theory in the fourth chapter (Pt. 1) which is the best one in the book... The work is a pioneering one and it repays a careful examination. It is probably the first of its kind and every student of aesthetics must read it. -/- -- Prof. P. S. Sastri, Nagpur Times . (shrink)

Papers presented at the International Conference on "the State of Buddhism, Buddhists and Buddhist Studies in India and Abroad", held at Banaras Hindu University during 2-4 January 2009. Commemoration volume on the birth centenary of Bhikku Jagdish Kashyap, 1908-1976.

Presents a wide offering of contemporary philosophical perspectives--including theoretical, historical, cross-cultural, and evolutionary--regarding the nature of art and the possibility of its definition.

This transdisciplinary project represents the most comprehensive study of imagination to date. The eclectic group of international scholars who comprise _Imagination and Art_ propose bold and innovative theoretical frameworks for conceptualizing imagination in all of its divergent forms.

Contributed articles on relations in Indian philosophy and Sanskrit grammar.

A vibrant example of living literature, the Bhagavata Purana is a versatile Hindu sacred text written in Sanskrit verse. Finding its present form by the tenth century C.E., the work inspired several major north Indian devotional (bhakti) traditions as well as schools of dance and drama, and continues to permeate popular Hindu art and ritual in both India and the diaspora. Introducing the Bhagavata Purana's key themes while also examining its extensive influence on Hindu thought and practice, this (...) collection conducts the first multidimensional reading of the entire text. Each essay focuses on a key theme of the Bhagavata Purana and its subsequent presence in Hindu theology, performing arts, ritual recitation, and commentary. The authors consider the relationship between the sacred text and the divine image, the text's metaphysical and cosmological underpinnings, its shaping of Indian culture, and its ongoing relevance to contemporary Indian concerns. (shrink)

Formalized by the tenth century, the expansive Bhāgavata Purāṇa resists easy categorization. While the narrative holds together as a coherent literary work, its language and expression compete with the best of Sanskrit poetry. The text's theological message focuses on devotion to Krishna or Vishnu, and its philosophical outlook is grounded in the classical traditions of Vedānta and Sāmkhya. This translation and detailed analysis of the Bhāgavata Purāṇa includes endnotes that explain unfamiliar concepts and essays that elucidate the rich debates found (...) in the Sanskrit commentaries. The book makes a central Hindu masterpiece more accessible to English-speaking audiences and more meaningful to scholars of Indian literature, philosophy, and religion. (shrink)

Book review of 'Srimad Bhagavata—Condensed in the Poet's Words' by A M Srinivasachariar. In this book, the Sanskrit Bhagavata verses have been condensed without using any words other those of the original. This has been translated into English by V Raghavan. This book enables one to have an idea of the main content of the lengthier original text.

Abstract:The problem of evil is of significant concern to theologians and to philosophers of religion. Despite the extensive discussion this problem has received in various Anglo-American philosophical circles, relatively liĴ le aĴ ention has been paid to the theodical insights specifically of the Bhāgavatapurāṇa (ca. ninth–tenth centuries ѐ.ђ.). Here, it is sought to address this lacuna by highlighting certain theological insights within the Bhāgavatapurāṇa that offer explanations for the existence of suffering. These insights are also drawn upon in order to (...) formulate a response to the evidential problem of evil. Although this is not an aĴ empt to construct a comprehensive theodicy with these textual materials, it is highlighted how the Bhāgavatapurāṇa can address certain dimensions of the evidential problem for evil, and some pathways are noted for further inquiry into the theodical insights of the Bhāgavatapurāṇa. (shrink)

The Bhāgavata Purāṇa combines Vedāntin philosophy, dramatic and aesthetic elements, and personal expressions in a unique manner. Moreover, it seems to be conveying a notion of selfhood or personhood which is unique and innovative for the Hindu tradition. This paper aims at uncovering this unique notion. It deconstructs the BhP by arguing for the amalgamation of the Rasa-aesthetic school with Vedānta. It then turns to the topic of personhood in the Hindu tradition; it raises the complexity of discussing personhood in (...) the Indian context and discusses three notions of personhood which are ‘the Worldly Self of Mīmāṁsā’, the ‘Solitary Self of Sāṅkhya’, and the ‘Transcendental Self of Vedānta’. Having articulated these three notions, it highlights the notion of aesthetic personhood underlying the BhP. The paper goes further to differentiate notions of Vivarta from those of Pariṇāma, pointing out at the Pariṇāma worldview to be underlying the notion of aesthetic personhood of the BhP. At last and as an outcome of its main argument, it offers a sketch of ascending notions of aesthetic notions of personhood in the BhP. (shrink)

A unique response to the challenging questions raised in the science and religion dialogue by drawing on Hindu theology. Edelmann replies to the sciences through close reading of an important Hindu text, the Bhāgavata Puraṇa, as well engaging with Hindu philosophical disciplines such as Saṁkhya-Yoga.

Through an examination of Bhāgavata Purāṇa X.43.17 and its interpretation by early commentators like Vopadeva, Hemādri, Śrīdhara, Sanātana, Rūpa, and Jīva, I argue that they created forms of hierarchical inclusivism by the application of rasa in the interpretation of the Bhāgavata Purāṇa. In doing so, I examine bhakti as a rasa, showing how rasa theory provided a vocabulary to include the characters of the Bhāgavata Purāṇa and their diverse experiences of the God Kṛṣṇa within hierarchical systems of bhakti. By hierarchical (...) inclusivism, I mean a theory, e.g., in the case of rasa, “the superiority of passionate love over fear,” and that this theory provided criteria to order items, e.g., in the case of rasa again, “the character of the cowherd women is superior to the character of the king.” In this case, hierarchical inclusivism is a theory for organizing and evaluating the mystical and aesthetic experiences of the ten characters mentioned in Bhāgavata Purāṇa X.43.17. I look at how commentators also used rasa for the basis for doctrines about God’s being and nature. (shrink)

In a recent article in JAOS, Y. Bronner and L. McCrea presented cogent argu ments for the authenticity of the “nonbitextual” version of Śiśupāla’s speech in the fifteenth canto of Māgha’s Śiśupālavadha and concluded that the “bitextual” version of the passage, in which each verse could be read with a double meaning, was a later alteration. Whereas they discussed the issue on the basis of internal criteria, the present article approaches it by means of external comparison with its presumptive source (...) text in the Sabhā-parvan of the Mahābhārata. This analysis confirms Bronner and McCrea’s conclusion, while also raising some new issues and problems. Also discussed is the legacy of the popular, if unauthentic bitextual version in the Bhāgavata-purāṇa and its commentarial tradition. (shrink)

Over the past thirty years, academic dialogues on the relationships between the sciences and religions have flourished, albeit primarily within Judeo-Christian historical, theological and philosophical contexts. Can a Hindu tradition be brought into this dialogue? The Bhagavata Purana is one of the most well-known sacred texts of India, and biology, Darwinism in particular, has become one of the most spirited areas of the science and religion dialogue in academia, as well as in the popular media. This thesis examines the (...) possibility, scope and foundational topics involved in a dialogue between Vaisnava-Hindu theology as found in the Bhāgavata, and the theoretical, philosophical and theological issues surrounding contemporary biology. To examine the possibility and scope of a Bhāgavata-science dialogue, I focus on the theological, ontological, epistemological and teleological presuppositions that each tradition bring to the study of nature, outlining the similarities and differences in their approaches. I establish the grounds for further discussion through a comparative analysis of terms such as "consciousness," "knowledge" and "goal of knowledge" as they appear in the Bhagavata and noteworthy Darwinian texts. My argument is that although prima facie the two traditions appear different in their philosophical, scientific and theological approaches, there are a number of areas of common interest and parallels, especially in their epistemologies and teleologies. In the case of genuine differences, such as their views on the ontology of consciousness, I demonstrate the possibility of reconciliation. Clarifying the conceptual differences, establishing parallels and demonstrating areas of common interests opens the possibility and widens the scope for further dialogue. (shrink)

Hindu Theology and Biology: The Bhāgavata Purāṇa and Contemporary Theory is a conceptually ambitious book, because it seeks to articulate a program and a position so novel that there is scarcely any extant literature to draw on. The reader with a background in the study of Hinduism and Indian philosophy is likely to be puzzled by the juxtaposition of topics indicated by the title of the book. But what Jonathan Edelmann is setting out to do is to create an area (...) of work in the study of Hindu thought that is almost entirely missing in comparison to the work that has been done on Christianity : how should a person or community committed to a particular sacred... (shrink)

This paper offers a literary and ideological deconstruction of the Bhāgavata Purāa; it traces the Purāa's formation through the convergence of the Vedāntin, the Aesthetic and the Vaiava traditions, and argues that it is the doctrine of Pariāma which underlies the treatise. I first examine the Bhāgavata Purāa's literary components; the roots of these are traced back historically to the Vedānta and Ālvār traditions, and the Bhāgavata Purāa's nature as an opus universale, representing an all Indian cultural 'melting pot', is (...) highlighted. The paper then looks at the relations of Vaiavism and dramaturgy, both historically as well as theologically, and argues that the Bhāgavata Purāa was traditionally read as a drama. It proceeds to decipher the aesthetic theory underlying the Bhāgavata Purāa, and argues that it is Bharata's dramaturgical rasa theory. Within the rasa tradition, Abhinavagupta 's and Bhoja's positions are highlighted and compared through three seminal points and it becomes apparent that the Bhāgavata Purāa's underlying aesthetic theory is close to the Pariāma doctrine of Bhoja where gāra is considered to be the supreme rasa. As Bhoja's date is no doubt later than the Bhāgavata Purāa's it is assumed that the Bhāgavata Purāa was influenced by one of Bhoja's predecessors. The paper ends by reinforcing this analysis by highlighting a later tradition which had actually accepted this point of view and that is the Gauiya Vaiava tradition. (shrink)

There is an inherent need for education systems and mental health models to begin incorporating principles of non-local science in their approach to education for a population to gain general intelligence. Contemporary education is lagging in comparison with scientific progress due to the adoption of concepts that are considered outdated in current scientific terms. While education systems have not moved away from physical theories the scientific community began departing from this scientific framework in the year 1900 with the dawn of (...) the discovery of the Planck constant. The Bhagavata Purana provides a robust framework to encompass various spatial features of reality required to describe non-local sciences. This research attempts to assess the extent toward which the Bhagavata Purana can reconcile the various issues in contemporary scientific theory. Through review of Newton’s Principia Mathematica, Immanuel Kant’s Critique of Pure Reason, articles on Einstein’s Theory of Relativity, various academic papers regarding quantum physics as well as published articles on topics of space and time, various reference frames used for perceiving reality is compared to the Bhagavata Purana. The research concludes that the true nature of time according to the Bhagavata is ontological and relative to the reference frame used by the observer to perceive reality and stresses that the only way to perceive the true ontological state of Time is through a practice called devotional service. This research also recommends that there should be further research done in this area through the phenomenological research of time and space. (shrink)

With its Vedāntic metaphysics and devotionally rich narratives, the Bhāgavata Purāṇa can provide valuable models for ecological care and preservation. Throughout the Purāṇa, we find narratives that can be harnessed in service of the environment, whether it be Kṛṣṇa battling the serpent Kāliya or Varāha lifting the Earth from the depths of the cosmic ocean. This article, however, will focus on a little-known narrative found in Book Four, namely, the Pracetās’ destruction, and eventual protection, of the Earth’s trees. The Pracetās’ (...) narrative is significant for several reasons: instead of simply venerating nature, the story demonstrates the challenge of balancing human needs and the needs of other life forms; it accords agency to the Earth by giving the forest a voice within the narrative; and it bridges the boundary between human beings and the natural world by building kinship relationships between them. This article will explore the ways in which Vaiṣṇava commentators have interpreted this episode as they attempt to negotiate the question: who has priority—humans or nature? (shrink)

Journal of Religious Ethics, Volume 50, Issue 1, Page 40-59, March 2022.

Approaching comparison through attention to stories of gods rather than through explicit doctrines, and in particular to stories of gods in their infancy and childhood, is an arresting proposal in comparative theology. It was this unusual character which first drew my attention to Kristin Johnston Largen’s Baby Krishna, Infant Christ. Largen’s prose is fluid and clear, and the structure of the argument is also readily apparent. And thus the work held my attention and convinced me that it is deserving of (...) review here.An introduction and first chapter offer a description of and an apology for comparative theology. Part I, comprising chapters two and three, is focused on ‘Baby Krishna,’ first recounting some of the main stories of Krishna from the Bhāgavata Purāṇa, before reflecting on the significance of those stories from the perspective of understanding how salvation is conceived and experienced in those Hindu traditions for which Krishna bhakti is crucial.The fourth and fifth chapters, .. (shrink)

The caste system has caused widespread oppression within Hinduism. In this paper, I analyze the Bhagavad Gītā (c. 500 BCE–200 CE) and the Bhāgavata Purāṇa (c. 9th century CE), two highly influential Hindu sacred texts, to understand how they conceptualize the relationship between caste and devotion (bhakti). I argue that there is a societal framework that does not maintain the caste system but which is consistent with these texts' soteriological vision and can be implemented in lieu of such a system. (...) This framework demonstrates that for certain forms of Hindu religiosity, caste is not essential to uphold from a scriptural perspective. Given this framework, the caste system can be challenged and interrogated to a significant extent and alternative societal frameworks can be proposed. I also consider and respond to objections to the framework I put forth. (shrink)

The article considers each case of using words with the stem ‘yoga’, as well as other yogic vocabulary found in the first part of the Bhāgavata Purāṇa. In total, there are the following ten words: yoga, bhaktiyoga, yogin, yogeśvara, mahāyogin, kuyogin, yoganidrā, kriyāyogа, viyoga and yama. They are used 30 times altogether. This vocabulary forms not only the yoga glossary of the Bhāgavata Purāṇa, but also the Vaiṣṇava understanding of yogic teaching. The analysis of these terms takes into account several (...) contexts, in particular: compositional, linguistic, religious and philosophical, and statistical. It has been found out that the whole vocabulary is somehow subordinated to the semantic vertical yogeśvara → mahāyogin → yogin and in various ways forms the Vaiṣṇava understanding of yoga, i.e. bhakti-yoga. The last is believed to be a human response to the challenges of the Highest reality (Heaven). This semantic vertical is conceived of as set by the Lord, who in the Bhāgavata Purāṇa appears under various names, including Viṣṇu, Kṛṣṇa, Adhokṣaja, as well as Yogeśvara, and Mahāyogin. Extraordinary people, who are called mahāyogins (Śukadeva Gosvāmī), and also yogins (Vyāsa, Śukadeva Gosvāmī, nameless yogins), are able to accept the challenge of Heaven. They are those who can achieve the highest goal of human life; they practice bhaktiyoga. The context of bhaktiyoga is present in most cases of the word yoga, and in all cases of the words yoganidra, kriyayoga, viyoga, as well as other friendly vocabulary (for example, seva), whereas the word yama does not apply to bhaktiyoga. The use of the rare word kuyogin reflects the fact that bad yogins are also mentioned in the text. The term yoga might be also considered to be a gender marker, as the yogins are exclusively men in the first part. The compositional peculiarities of the use of this yogic vocabulary include the fact that the first part begins and ends with chapters containing terms which are derived from the stem yoga (Is this some kind of semantic framing?). Moreover, the first chapter ends with the śloka, that contains the important word yogeśvara (Is it a kind of summarizing semantic marker?). (shrink)

The Bhagavata Purana is one of the most important, central and popular scriptures of Hinduism. A medieval Sanskrit text, its influence as a religious book has been comparable only to that of the great Hindu epics, the Ramayana and the Mahabharata. Ithamar Theodor here offers the first analysis for twenty years of the Bhagavata Purana often called the (Fifth Veda) and its different layers of meaning. He addresses its lyrical meditations on the activities of Krishna (avatar of Lord (...) Vishnu), the central place it affords to the doctrine of bhakti religious devotion and its treatment of older Vedic traditions of knowledge. At the same time he places this subtle, poetical book within the context of the wider Hindu scriptures and the other Puranas, including the similar but less grand and significant Vishnu Purana. The author argues that the Bhagavata Purana is a unique work which represents the meeting place of two great orthodox Hindu traditions, the Vedic Upanishadic and the Aesthetic. As such, it is one of India's greatest theological treatises. This book illuminates its character and continuing significance. (shrink)

Madhvācārya’s Bhāgavatatātparyanirṇaya is the oldest Bhāgavata commentary available to us, most probably predating the Advaitic commentary of Śrīdhara. Thus Madhva’s commentary occupies a crucial place in the development of the Bhāgavata tradition. In this paper, I examine Madhva’s commentary on the first verse of the Bhāgavatapurāṇa, focusing on his exegesis. In so doing, I shall point out how Madhva emphasizes what are arguably the two most important doctrines of Dvaita Vedānta, namely, Viṣṇu’s absolute independence and the reality of the world. (...) With this teaching Madhva vehemently rejects absolute monism and the idea that the world is illusory, which, we might say, are the core doctrines of Advaita Vedānta. This paper is also a modest attempt to revise the general perception of Vedānta as ‘the exegetical tradition on the prasthānatraya’. I argue that we need to include commentaries on the purāṇas within our understanding of Vedāntic discourse since, starting with Madhva, the purāṇas such as the Bhāgavata became an important text for Vedānta authors to comment upon. This is evidenced by the proliferation of commentaries on the Bhāgavata in the early modern period. The Bhāgavatapurāṇa attracted commentaries produced not only by Vaiṣṇava authors such as Sanātana, Jīva, Vallabha and Vīrarāghava but also by Advaita authors like Madhusūdana Sarasvatī and Śaivas such as Rāghavānanda. In this connection, toward the end of this paper I will point out Madhva’s influence on the Gauḍīya school that flourished in the early modern period. (shrink)

Abstract This essay is a response to three review articles on two recently published books dealing with aspects of Hinduism and science: Jonathan Edelmann's Hindu Theology and Biology: The Bhāgavata Purāṇa and Contemporary Theory, and my own, Hindu Perspectives on Evolution: Darwin, Dharma and Design. The task set by the editor of Zygon for the three reviewers was broad: they could make specific critiques of the two books, or they could use them as starting points to engage in a broad (...) discussion of Hinduism and science, or religion and science in general. In my response, I first provide a fairly detailed reply to David Gosling's many critiques of my book, and in the process call into question his Advaitic conciliation of Hinduism and science. Thomas Ellis's thesis of basic incompatibility between Hinduism and science is much closer to my own viewpoint. One of the main objectives of my book was to explain and illustrate this incompatibility with specific regard to Hindu and Darwinian perspectives on evolution. In this essay I provide a few examples in support of Ellis's incompatibility thesis, encompassing both epistemological and metaphysical dissonances. Finally, I reflect upon Varadaraja V. Raman's wide-ranging exposition on the all-encompassing nature of the Hindu tradition that readily accommodates both religious and scientific quests for knowledge. Raman uses the two books only as starting points for his own thoughts, without reference to my book. I confine myself, accordingly, to a brief critique of his complementarity approach to Hinduism and science, and of his radical inclusivism that enfolds basically all philosophical positions into the warm embrace of the Hindu tradition, including even the extreme antireligious materialism of the Cārvāka. (shrink)

The Upanishads reveal that in the beginning, nothing existed: “This was but non-existence in the beginning. That became existence. That became ready to be manifest”. (Chandogya Upanishad 3.15.1) The creation began from this state of non-existence or nonduality, a state comparable to (0). One can add any number of zeros to (0), but there will be nothing except a big (0) because (0) is a neutral number. If we take (0) as Nirguna Brahman (God without any form and attributes), then (...) from where and how did the universe come into existence? -/- The neutral power (0) cannot produce anything without having an element of duality in it. Although Nirguna Brahman is neutral, it has a positive, negative, and neutral pole, constituting its Prakriti or nature. Prakriti has three latent Gunas (modes or qualities): Satva, Rajas, and Tamas. They are related to Gyana Shakti (the power of knowledge) Sankalpa Shakti (the power of ideation), and Kriya Shakti (the power of action). Science says that Atom is the basic element from which the universe evolved. The Atom has three nuclei- electron, pluton, and neutron. The Satva, Rajas, and Tamas in Indian spirituality are nothing but the mystical names for the nuclei of an atom. -/- According to Bhagavata Purana, Prakriti is also constituted of the elements of Time, Karma (action/destiny) and Swabhava (innate nature). Time disturbs the equilibrium of Gunas. From the aspect of Karma is produced an entity called Mahat, in the form of intelligence. Mahat is dominated by Satva and Rajas. From Mahat manifests the next evolute dominated by Tamas with three predominant qualities – Dravya (substance), Kriya (action), as well as intelligence. It forms to become the Ego principle (Ahamkara). -/- Ahamkara has three modes – Satvic, Rajasic and Tamasic. Satvic is Jnana oriented, Rajasic action-oriented and Tamasic Dravya (substance) oriented. From the Tamasic Ahankara, five gross elements are produced (ether, air, fire, water, and earth - Akash, Vayu, Agni, Jal and Prithvi). From the Satvic Ahamkara, guardian deities (the sun and moon, deities of sense organs, and organs of action) and from Rajasic Ahamkara, ten senses (Indriyas), five senses of perception, five organs of action, the faculties of intellect and Prana (life breath) are produced. -/- Bhagavata says that since these energies, elements, and faculties remained disassociated, they were combined to form a Cosmic Egg. The egg floats in the primal waters for a thousand years. Then God enters this Cosmic Egg and manifests himself as the Cosmic Purusha. He is the first nucleus, the God particle equivalent to the number (1) which is the embodiment of everything in the universe. The concept of creation and dissolution in Hinduism can be compared to the waves in an ocean that appear and disappear incessantly. The Manvantaras are such successive episodes of creation emerging from the Cosmic Person, the Manu who is embodied God-Consciousness, God himself. These episodes of creation are measured in Hinduism in terms of Manvantaras, the epochs of Manus. -/- Manu is the ‘First-Born’ (1) of God, the Cosmic Purusha from whom the world has originated. This Cosmic Person (Purusha) has been described as having fourteen biospheres (heavens) that are inhabited by various life forms in the order of evolution of consciousness. If we begin from the human biosphere (Bhuloka), there are ten astral biospheres that a man must transcend to attain liberation or Mukti from the cycle of births and deaths. -/- The number (1) produces the primary numbers up to (9) through the transmutation of the creational energies and qualities. The process can be related to the descent and cyclical evolution of (1) through ten spiritual stages, finally merging with the nondual (0). The number (10) marks the merger of (1) with (0). The Hindu worldview is that all life forms in an episode of creation must evolve to become one with the non-dual state (0) to attain liberation from the cycle of births and deaths in a cyclical process. -/- . (shrink)

The Bhagavad-Gita, as a multivalent text, has been a source of inspiration for all areas of Indian thought. This paper identifies elements in the Bhagavad-Gita which may have influenced the formation of Nyaya philosophy in the centuries after it was written. Part one of the paper reviews Nyaya epistemology as a whole, focusing on aspects that play an important role in the Bhagavad-Gita: perception (pratyaksa), inference (anumana), ‘syllogism’, verbal utterance (sabda) and the practical orientation of knowledge. The second part shows (...) how those aspects appear in the text of the Bhagavad-Gita. In praticular, Krishna relies on a number of techniques in convincing Arjuna of his obligation as a ksatria which would later be formalized in Nyaya philosophy as pramana or methods of knowing. As a whole, the Bhagavad-Gita also emphasizes the Nyaya view that knowledge is only useful insofar as it helps the knower achieve a particular goal. This paper does not, and has no pretention to prove the existence of a direct line of influence connection the Bhagavad-Gita and Nyaya philosophy; readers will instead gain an appreciation of the shared cultural context which gave rise to both of these forms of Indian thought. Abstrak Bhagavad-Gita, sebagai teks yang multitafsir, telah menjadi sumber inspirasi bagi segala pemikiran India. Makalah ini mengidentifikasikan unsur-unsur dalam Bhagavad-Gita yang mungkin memengaruhi pembentukan filsafat Nyaya selama beberapa abad setelah Bhagavad-Gita ditulis. Bagian pertama makalah meringkas epistemologi Nyaya secara keseluruhan dengan berfokus pada aspek-aspek yang memainkan peran penting dalam Bhagavad-Gita: persepsi (pratyaksa), penyimpulan (anumana), ‘silogisme’, saksi verbal (sabda), dan orientasi praktis pengetahuan. Bagian kedua memperlihatkan bagaimana aspek-aspek tersebut muncul dalam teks Bhagavad-Gita. Secara khusus, Krishna mengandalkan berbagai teknik dalam meyakinkan Arjuna akan kewajibannya sebagai ksatria yang kemudian diformalkan dalam filsafat Nyaya sebagai pramana atau sarana pengetahuan. Secara keseluruhan, Bhagavad-Gita juga menekankan pandangan Nyaya bahwa pengetahuan hanya berguna sejauh dapat membantu si penahu mencapai tujuan tertentu. Makalah ini tidak dapat membuktikan adanya garis pengaruh langsung yang menghubungkan Bhagavad-Gita dengan filsafat Nyaya; namun, kita tetap dapat mengapresiasi suatu ‘kemiripan keluarga’ di antara keduanya yang menunjukkan kekayaan konteks kebudayaan yang menghasilkan kedua buah pemikiran peradaban India ini. (shrink)

Vedānta Deśika produced his monumental poetic biography of Kṛṣṇa in a time when Kṛṣṇa-centered devotionalism was expanding to become perhaps the dominant mode of bhakti across South Asia. Central to this phenomenon is the growing popularity of the Bhāgavatapurāṇa, and especially of its exploration of Kṛṣṇa’s erotic play with the gopīs in his youth. Troubled by the unrestrained and seemingly adharmic sexuality of Kṛṣṇa, Deśika used the literary techniques and narrative paradigms of the mahākāvya to assimilate but also domesticate this (...) increasingly important Bhāgavata episode: Kṛṣṇa’s eroticism remains central but confined within more conventional marital norms and is thus made dharmically and theologically acceptable. Once he has resolved these dharmic problems, however, Deśika is happy to explore the soteriological, devotional, and paradoxical dimensions of erotic love with Kṛṣṇa. (shrink)

Ernst Mach stands as a representative figure of the positivist philosophy of science at the turn of the twentieth century, yet he is by far the most misunderstood scientist-philosopher. The misunderstanding is largely caused by his epistemological rejection of the use of hypothetical entities that are ordinarily posited by scientists. He also argued against the mechanistic worldview which dominated scientific investigations in the nineteenth century. This essay will demonstrate that Mach’s positivism differs from the earlier positivism of August Comte. His (...) anti metaphysical stance is deeply-rooted in his physical phenomenology, guided by the economy of thought in pursuit of the unity of science. In Mach’s view, scientific theories are merely biological tools for organizing experience by means of the fewest possible concepts, and all metaphysical elements are to be eliminated from science as methodologically and epistemologically superfluous. But Mach’s thesis of the unification of science does not share the common concern of the logical positivists to reduce various scientific statements to physical language. While Mach’s philosophy of science clearly exhibits a miscalculation of the strength of scientific conceptual tools, his physical phenomenology serves as a bridge between theory and experiment which has proved to be fruitful. Keywords: The economy of thought, evolution, element, physical phenomenology, the unity of science, instrumentalism, emphirical realism. Abstrak: Ernst Mach tampil sebagai tokoh representatif dari Filsafat Ilmu Pengetahuan positivis pada peralihan menuju abad ke-20, sekaligus sebagai ilmuwan-filsuf yang paling disalahpahami. Kesalahpahaman tersebut sebagian besar disebabkan oleh penolakan epitemologisnya terhadap penggunaan wujud-wujud hipotetis yang kerap diajukan oleh para ilmuwan. Ia juga melawan cara pandang mekanistis yang mendominasi penyelidikan ilmiah pada abad ke-19. Artikel ini memperlihatkan bahwa positivisme Mach berbeda dengan positivisme August Comte yang mendahuluinya. Pandangan anti-metafisis Mach berakar sangat dalam pada fisika fenomenologi yang dipandu oleh ekonomi pikiran untuk mencapai sains terpadu. Dalam pandangan Mach, teori-teori ilmiah semata-mata sarana biologis untuk menata pengalaman dengan memanfaatkan sesedikit mungkin konsep, dan semua elemen metafisika perlu disingkirkan dari sains karena secara metodologis dan epistemologis tidak bermanfaat. Namun, tesis Mach tentang sains terpadu tidak sejalan dengan gagasan para positivis logis yang mereduksi berbagai macam pernyataan ilmiah ke dalam bahasa fisika. Sementara Filsafat Ilmu Pengetahuan Mach jelas-jelas keliru dalam memperhitungkan kekuatan piranti-piranti konseptual sains, fisika fenomenologi yang menjembatani teori dan eksperimen telah terbukti sangat bermanfaat. Kata-kata kunci: Ekonomi pikiran, evolusi, elemen, fisika fenomenologi, sains terpadu, instrumentalisme, realisme empiris. (shrink)

The Īśvara Gītā, translated by Andrew J. Nicholson in Lord Śiva’s Song: The Īśvara Gītā, is a quintessentially Hindu post-Vedic devotional text. Extolling Lord Śiva as the highest Truth, it sets out to establish its credentials in ways typical of the devotional traditions: it is located in one of the Purāṇas, already considered to be the fifth Veda by the time of the Chandogya Upaniṣad, thereby appropriating the paramount sacrosanctity of the Śruti tradition. It adopts the setting of Sūta’s address (...) to the sages of Naimiṣāraṇya, made famous by the Bhāgavata Purāṇa for its own outer narrative frame. It engages the great sage Vyāsa as its primary narrator, thereby invoking the cachet of the foremost authority.. (shrink)